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28 October 709 CE (carved 723-726 CE)Primary source · 2 sourcesWell documented

Royal Bloodletting Rites Are Carved into the Yaxchilan Lintels

Lintel 24 shows Lady K'abal Xook pulling a thorned rope through her tongue while her husband King Shield Jaguar holds a ceremonial torch above her

On the timeline · around 28 October 709 CE (carved 723-726 CE) · Late Classic RivalriesLate Classic RivalriesCollapse and the Postclassic NorthRoyal Bloodletting Rites Are Carved into the Yaxchilan Lintels625 CE650 CE675 CE700 CE725 CE750 CE775 CE800 CE

Quick facts

City
Yaxchilan
Participants
King Shield Jaguar, Lady K'abal Xook
Ritual date
28 October 709 CE
Object location
British Museum

What happened

At Yaxchilan, a city on the Usumacinta River in what is now Chiapas, king Itzamnaaj Bahlam III (known as Shield Jaguar) commissioned three carved limestone lintels for the doorways of Structure 23, commemorating his wife Lady K'abal Xook. Lintel 24, now in the British Museum, depicts a bloodletting ritual dated by its glyphs to 9.13.17.15.12, 5 Eb 15 Mac in the Maya calendar, equivalent to 28 October 709 CE, though the lintel itself was carved between 723 and 726 CE when the building was formally dedicated. Lady K'abal Xook kneels before Shield Jaguar, who holds a great torch the accompanying text calls a 'burning spear,' while she pulls a thorned rope, likely studded with obsidian blades, through a hole pierced in her tongue; blood falls onto paper in a bowl on the floor below. Kings and queens performed bloodletting at major political events, building dedications, and accessions, a ritual the Maya connected to their own creation story in which the gods let their own blood to create the human race.

Why it matters

Bloodletting was not a marginal practice but a central obligation of Maya kingship, performed at essentially every major event in a ruler's political life, which is why it appears on some of the most prominent commissioned monuments in the Classic period. Together with the closely related lintels 25 and 26, this scene documents the multi-step ritual process in more physical detail than almost any other surviving Maya artwork.

How we know

The lintel survives as a physical object with its own carved hieroglyphic captions recording the date and participants, now held and documented by the British Museum, supported by broader academic study of Maya bloodletting iconography including Linda Schele and Mary Ellen Miller's 'The Blood of Kings.'

Sources

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Part of a timelineThe Maya Civilization25 events · How villages in the Guatemalan jungle grew into rival kingdoms with the most advanced writing and astronomy in the pre-Columbian Americas, and why the last free Maya city held out against Spain until 1697View all →
Royal Bloodletting Rites Are Carved into the Yaxchilan Lintels · The Maya Civilization · SourcedStory