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1513-1514Reputable source · 2 sourcesWell documented

Durer Completes His Master Engravings

A Nuremberg printmaker turns copperplate engraving into a vehicle for Renaissance ideas

On the timeline · around 1513-1514 · The High RenaissanceThe High RenaissanceDurer Completes His Master Engravings1506150815101512151415161518152015221524

Quick facts

Artist
Albrecht Durer, 1471-1528
Medium
Copperplate engraving
Key works
Knight, Death and the Devil; Saint Jerome; Melencolia I
Produced
1513-1514, Nuremberg

What happened

Working in Nuremberg, Albrecht Durer produced, between 1513 and 1514, the three copperplate engravings later called his Meisterstiche, or master engravings: Knight, Death and the Devil, Saint Jerome in His Study, and Melencolia I. Each was engraved on a similarly large plate and demonstrated Durer's technical command of the burin, the tool used to cut lines directly into the metal, achieving a range of tonal effects that print connoisseurs still study. Durer had spent years blending the precise, detailed realism of Northern European painting with the proportion and classical balance he studied in Italian art, and over his career he produced more than 300 prints in total.

Why it matters

Durer's prints let sophisticated, idea-laden Renaissance art circulate far beyond what any single painting could reach, since engravings could be reproduced and sold across Europe, and his technical mastery and Italian-influenced theory writing raised the social status of artists working north of the Alps.

How we know

Impressions of all three master engravings survive in major print collections, including the Royal Collection Trust and the World History Encyclopedia's account of Durer's career, both of which date the group to 1513-1514 from the plates and Durer's own travel diary references to them.

Sources

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