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1520s (Mannerism, c. 1520-1590s)Peer-reviewed · 3 sourcesWell documented

Pontormo's Deposition Marks the Turn to Mannerism

Bright, unstable color and impossible anatomy replace High Renaissance calm

On the timeline · around 1520s (Mannerism, c. 1520-1590s) · Reformation and the Late RenaissanceThe High RenaissanceReformation and the Late RenaissancePontormo's Deposition Marks the Turn to Mannerism152015251530153515401545

Quick facts

Key artist
Jacopo da Pontormo, 1494-1557
Key work
The Deposition from the Cross, Santa Felicita, Florence
Style period
c. 1520s-1590s
Term coined by
Later art historians, from Italian maniera

What happened

Through the 1520s, a group of younger Florentine and Roman painters, among them Jacopo da Pontormo, began departing from the balance and naturalism of High Renaissance painting in favor of an intentionally artificial style: elongated figures, crowded and spiraling compositions, unnatural or acidic color, and spatial arrangements that deliberately avoid the calm clarity of Raphael or the young Michelangelo. Pontormo's altarpiece The Deposition from the Cross, painted for the Capponi Chapel in the Florentine church of Santa Felicita and generally dated to around 1528, is widely treated by art historians as the founding masterpiece of this style, later named Mannerism by 20th-century historians from the Italian maniera, meaning style or manner.

Why it matters

Mannerism marked the point at which Renaissance art stopped treating classical balance as an unquestioned goal and began prizing tension, elegance, and artifice instead, a shift that both closed out the High Renaissance and opened the path toward the Baroque style that followed it.

How we know

Pontormo's Deposition remains in its original chapel in Florence, and Encyclopedia Britannica's entry on Mannerism, together with the National Gallery, London's account of Pontormo's career and style, both describe the 1520s emergence of the style from surviving paintings of the period.

Sources

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